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Crime Movie Posters (Illustrated History of Movies Through Posters)
by Bruce Hershenson (Compiler: Richard Allen)
Product Group: Book
Publisher: Bruce Hershenson (1997-10)
ISBN: 1887893199
EAN: 9781887893190
Dewy Decimal #: 741
Paperback: 80 pages
Condition: New
Comments: 1997, Paperback, 376 posters pictured in color. book is 8.5 x 11 in size, Book is in Unused Condition. Book is completely intact with inside pages in Excellent condition with no tears and with no notations (no pencil marks, no underlining, no highlighting, etc.) Fast Service. Books well packed.
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Editorial Reviews
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Product Description
Offers an overview of films that have an aspect of crime as a central theme. The posters span from 1910 to 1996. Some of the posters featured in the book include: Charlie Chan on Broadway (1937); Lady Killer (1933); Dial M for Murder (1954); Charade (1963); and The Godfather (1972).
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Customer Reviews
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Every last shot....
Rating (4)
Date: 2000-12-14
2 out of 2 customers found this reveiw helpful
Every last shot heard in the world of motion pictures is displayed here. From Pre-code films like LADIES THEY TALK ABOUT to the Code-in-your-face PULP FICTION, Bruce Hershenson captures the poster art of these films in splashy high quality color. A bonus is that Bruce always includes lobby card art, cherished by many a collector, but not displayed often.
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Crime Movie Posters
Rating (5)
Date: 2000-12-12
1 out of 1 customers found this reveiw helpful
Absolutely stunning! Superb graphics of some of our favorite movie posters! Highly recommend.
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Here's to Crime
Rating (5)
Date: 2000-12-12
1 out of 1 customers found this reveiw helpful
How can crime be bad and yet so good! Look inside the cover of these pages for the answer. Not much reading required but plenty of illustrations. And what illustrations!! Cigarettes, dangling from shadowey faces, killer guns begging for victums, and behind every crime there's a "good" women to lead him on to both heaven or hell. These images can usually sum up the classic Crime Movie Poster. In cronological order the images take us from the birth of this gendre to it's present. This is no small feat, as the first poster is dated 1913! That's how many years? Page after page is loaded with poster art that grabs the eye and makes you want to view the film. Vivid coloring shows the excellent printing quality of this volume. One only needs to turn the pages to discover "the stuff dreams are made of".
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Here's to Crime
Rating (5)
Date: 2000-12-12
How can crime be bad and yet so good! Look inside the cover of these pages for the answer. Not much reading required but plenty of illustrations. And what illustrations!! Cigarettes, dangling from shadowey faces, killer guns begging for victums, and behind every crime there's a "good" women to lead him on to both heaven or hell. These images can usually sum up the classic Crime Movie Poster. In cronological order the images take us from the birth of this gendre to it's present. This is no small feat, as the first poster is dated 1913! That's how many years? Page after page is loaded with poster art that grabs the eye and makes you want to view the film. Vivid coloring shows the excellent printing quality of this volume. One only needs to turn the pages to discover "the stuff dreams are made of".
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A spectacular volume of fabulous images!
Rating (5)
Date: 1999-11-19
5 out of 5 customers found this reveiw helpful
Everyone has their own favorite film genre (animation, action and adventure, science fiction, etc.). This one is mine. If you are the least bit interested in the jaw-dropping beauty of what has become a lost art -- the exercise of drawing images associated with the advertising of a Hollywood film -- this is the book to have. No other genre, in my opinion, was more dark and foreboding and in turn experienced a burst of creativity than posters associated with the film-noir period of Hollywood, which roughly ran from the mid-1940s to the mid-1950s. This book is part of movie poster maven Bruce Hershenson's exhaustive multi-volume series of books highlighting the history and beauty of what much of mainstream America has only in the last ten years begun to recognize. And that is movie posters are a "popular art" form that can stand proudly next to all other styles of art from gothic to modern, from expressionist to impressionist. Great film art borrows from all of these styles and this volume, which focuses only on posters associated with crime and film-noir films, is my favorite. It illustrates innumerable examples of the ranges in style, despite the superficial expectation that all art from this genre was the same. It was not. From Gilda to This Gun For Hire, Hershenson and Allen have built an incredible archive of images in all of his books, capturing a period (when all posters were drawn by hand and then printed, as opposed to today's method of using a montage of photos and manipulating them digitally and printing them by the thousands) that would otherwise be lost forever. A fine book for any collector (get the hardcover edition if you can, it's harder to find; if Amazon doesn't have it, it's available from Mr. Hershenson directly at mail@brucehershenson.com.
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