 (Larger Image)
|
Science Fiction of the 20th Century : An Illustrated History
by Frank M. Robinson
Product Group: Book
Publisher: Collectors Press (1999-10-01)
ISBN: 1888054298
EAN: 9781888054293
Dewey Decimal #: 809.387620904
Binding/Media: Unknown Binding - 256 pages
Edition: First Edition
SKU: AT - EXLG A 17
Condition: As New
|
Editorial Reviews
|
Product Description
10"X13", cloth, 256 full-color pages, embossed and foiled dust jacket, vividly illustrated with images of film posters, magazines and books. This is an insider's view of the writers, illustrators and editors who made science fiction the most popular form of entertainment in the 20th Century.
|
Customer Reviews
|
WONDERFUL Scrapbook of SF history
Rating (5)
Date: 2002-03-21
2 out of 2 customers found this reveiw helpful
I'll be honest; when I first saw this book in a local store I wasn't sure I wanted it. It's very heavy (about 10-15 pounds) and expensive (about $60), but I sprang for it because I love SF and I wanted to see what a writer who loves it too had to say. Frank Robinson is a dedicated writer, fan and historian. Not as dry as John Clute, but not as irreverent as Harlan Ellison, Robinson shows his love by sharing some truly amazing and wide-ranging materials dating from as far back as the 1890s. A good, friendly companion if you want to take a SF literature course, or if you just want to sit down for a few weeks and read. HIGHLY recommended.
|
|
Breathtaking
Rating (4)
Date: 2001-05-01
This book is a beautiful collection of some stunning science fiction art.Two things should be mentioned right away: first, that this is a book of science fiction art, not fantasy (there are no dragons, no unicorns, no elves), and second, that with the exception of a few science fiction movie posters, the art featured within are book covers and magazine covers. This book itself is a work of art. It's large, it's heavy (printed on thick glossy paper), it's very colorful and has very fancy graphic designs. The layout is easy to see, eye-catching, and well spaced. Some of the featured covers are full-page. Most pages have two or three covers, a few have four. In other words, the pictures are never crowded together, and remain large enough to show detail. Many of the covers are astounding. There are assorted rockets, saucers, aeroplanes, even a few flying globes. There are furry aliens, tentacled aliens, winged aliens, reptilian aliens, aquatic aliens, some tiny humanoid aliens. Heroes in skintight clothing, heroes in coverall jumpsuits, heroes in metallic spacemechs, heroes in Roman Centurion gear (go figure), heroes in clanky armorlike spacesuits. The women, especially in the earlier pulps and books, tend to be either scantily clad or in skintight clothing, and most are in various states of distress (being carried off by aliens). There are vistas of deserts, oceans, mountain ranges, desolate moonscapes, fantastic alien forests, fabulous spaceports. Many moons hang in the sky, and fantastic ringed planets. Among the magazines included are Analog, Asimov's, Fantasy & Science Fiction, Argosy, Astounding, Amazing Stories, Planet Stories, Science Wonder Stories, Locus. And more. Book covers range from forgotten novellas to bestselling classics. Movie posters from B-movie creature features to contemporary blockbusters. There really is a lot of art in this book. The narrative, which is actually extensive, mostly follows the history of the sci-fi magazines and their circulation. The data is informative, but when the art is this beautiful, you won't be reading the small print except to see who did the drawing anyway. You'll lose yourself in this book! There is only one reason I took one star from the review: some of the art is not identified. The publishers really ought to be ashamed of themselves for overlooking this, in an art book of all things. The entries are identified (although some of the artists' names have been lost, the publisher or sources are named), but the graphics of the cover (of this book) and the chapter introductions are not identified. Shame, shame! The chapter introduction plates are breathtaking, as are the inside-cover and dustjacket art. This is a book of dreams and imagination. Normally I'd call this a "coffee table book" but not this time. HIDE this book and hoard it for yourself. It's a treasure.
|
|
Science Fiction of the 20th Century
Rating (5)
Date: 2000-07-14
2 out of 3 customers found this reveiw helpful
Science Fiction of the 20th Century Author: FrankM. RobinsonThis fascinating book is 100 percent sciencefiction/fantasy memories. I was especially intrigued because it was a birthday gift from my son, and I was one of the writers for Weird Tales magazine and a Brown University veteran-student during the late 1940's. Superb Magazine Cover Photos. At first, I did a lot of skimming and admiring the book covers, but I recommend you read the book in chronological order, from beginning to end. Robinson's Science Fiction of the 20th Century is thoroughly researched and very well written. Delightfully, exciting and wonderfully informative, Robinson's book contains hundreds of superb, full-color photographs of science fiction and fantasy magazine covers, (wherever did they find them? and they are printed even sharper and more brilliant than when new!). You will enjoy the beautiful, digitally-created science fictions pulp covers, many enlarged two times actual dimensions. (The average size of early pulp magazines was 6"x8", but they varied, depending on the availability of paper stock during four wars and the fluctuating prices of the pulp paper.) Writers of Yesterday Science Fiction of the 20th Century dates from the beginning of science fiction and fantasy genre, to the present revival in books, TV, Movies and Magazines! The author, Frank M. Robinson gives fascinating and informative data on science fiction writers of past and present. He even reports that Hugh Heffner of Playboy fame, was a sci-fi addict. Playboy magazine has published outstanding science fiction stories and authors, such as Arthur C. Clarke and Ray Bradbury. Final Notes Robinson's book gave me an exhaustive, warm and nostalgic visit to fond friends, illustrations, covers, and writers of yesterday, and today. Robinson's book even stimulated me to forage in my attic where I found a treasure chest of dozens of stories that I had written and published decades ago. I typed them into my computer, formatted them, edited, and now have a new book titled, Really Weird Weird Tales!, a compilation of science fiction and fantasy stories for a huge market, now reborn.
|
|
Worth 60 Bucks and Then Some....
Rating (5)
Date: 2000-03-31
5 out of 5 customers found this reveiw helpful
Although I'm not an expert on science fiction,I'm hoping to learn more about the genre so I can figure out what is best to invest time in reading, having already read Dune, Lord of the Rings, H.G.Wells, Jules Verne and some of the other basics. Buying this book was in part motivated by my desire to seek out some context and history of the vast sci-fi universe. The other motivation is that I collect particularly high-quality and esoteric art books and the other reviewers described the book as possibly meeting that criteria.Having just received the book earlier today let me emphatically express that this is a fantastic work, beautifully illustrated, meticulously manufactured, and what I've read is very well written. This book emanates the kind of vital and exciting energy that I find to be most compelling in a "coffee table book." It really rouses interest in the subject matter it presents. I've checked out other coffee table books on sci-fi, and some have looked good but none come close to this.
|
|
visually great, slightly self-serving
Rating (4)
Date: 2000-02-02
12 out of 13 customers found this reveiw helpful
The book is a lavish, beautifully put-together work, with plenty of big colorful reproductions of classic pulp and contemporary cover art. There are a few mistakes (no, Cronenberg didn't direct the original Vincent Price version of 'The Fly'), but there's really one simple reason why I couldn't bring myself to give this book a 5-star recommendation. After having read it from cover to cover, there was a slight bad taste left in my mouth. Why? Because the author/editor, James M. Robinson, seemed a bit too relentless in his attempts to establish his own reputation and history in the field. Now I've read a LOT of science fiction in my time, but before I picked up this book I'd never even heard of James Robinson. So I was surprised by how often I came across reproductions of his book covers and/or mentions of his work. And they weren't presented in any sort of a 'personal note' type of format, nor do the captions for the illustrations even identify that the person who wrote the book being shown is the same as the editor who chose to include the image in this history. Rather, in most cases, you'll see Robinson's work discussed from the same third-person perspective as the other important works that surround it. This even extends, in one case, to including the work of another minor author apparently because it affords the opportunity to mention the fact that they'd collaborated with Robinson on OTHER projects. A quick count reveals cover reproductions of three of Robinson's novels (i.e. ALL of his science-fiction novels - he wrote a couple of techno-thrillers as well), a reproduction of a movie poster for a film based on one of those novels, and about five other mentions of his work in the text. A few of these would be fine - and the reproduction of one of his self-produced fanzines from the 1940's is a nice piece of nostalgia that certainly establishes his love of the genre. But it really felt like Robinson is trying to present himself as one of the more significant contributors to the genre. Personally, I just don't feel that Frank M. Robinson's fiction should be discussed more often than the work of Poul Anderson, or Robert Bloch, or Hal Clement, or Lester Del Rey or (to move to the end of the alphabet) Jack Vance or Gene Wolfe or Roger Zelazny. (Strangely enough, if you look up Frank M. Robinson in the index at the back of the book, he's not even listed. (Perhaps to make comparisons like this one a bit harder to do? Or maybe it's just sloppy indexing - SPIDER Robinson isn't listed in the index either, yet he's mentioned at least three times in the body of the book). At any rate, it really IS a beautiful book, and if you love this stuff as much as I do then you won't be disappointed by the overall package. It's just too bad that an editor somewhere didn't make an attempt to curb the author's self-promotion a little bit.
|
|
|
|
|